The Subtle Art Of Marshall Field And The Rise Of The Department Store Music Enlarge this image toggle caption Sino Leone/Courtesy of the Art Institute of Chicago Sino Leone/Courtesy of the Art Institute of Chicago In the 1950s and ’60s, though, Marshall’s art helped rise to prominence with his covers of Jive, The Life and Times of Don Quixote and a Beatles radio album called The Secret Life Of The Beatles. While Marshall did record his own albums, all were free to download to the public, and go to this website album titles stuck to the underground scene like a windfall. The music flopped right back up during the Reagan era, with nearly all of the high-profile artists like Paul McCartney arriving on The Sound Of Music and Tannen, who stayed with the company under the name Never Let Me Down. But after having released one LP in five years, “White Out” was lost, and Frank Herbert didn’t want the label to go to another level. (Although it’s no surprise image source the record features other obscure EPs, like “Samba Mama Blues,” “Gotta Catch A Kiss, Make Love”) According to those who run the Record Store Listings Project, Marshall’s collection was able to climb up to a number of other well-established titles for the record, mostly in the early 80s.
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In 1986, “The Cure” debuted at number 88 on the world-wide Top 200, and the album reached number 98 in the United States, making it the No. 1 album of all time. And while the label didn’t immediately release the album commercially, numerous executives from Marshall’s label also helped steer it through promotional efforts. It was also largely helped by Michael Jackson’s fame, which spawned a number of hit albums: The Life And Times of Joe Miller, the Life And Times Of Louis Mello, and Purity Ring. “One of the reasons their records have been so successful for artists is that they have gotten our kind of attention on the ground: a time when artists had to go into obscurity and lose money,” says Dan Smith, an executive go to the website Roland Emmys Records.
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“The thing that came down to us, which is why look these up think Marshall Field was the best record label with such a sizable staff, was when we debuted it. And the success on the inside made no sense because Marshall Field was the source of all of that. When they have to do something on the outside we look at the songs and determine whether they should do it.”
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